Comparing the Women of House on Mango Street and Bread Givers :: comparison compare contrast essays

The Women of House on Mango Street and scraping Givers Sandra Cisneros was born in Chicago and grew up in Illinois. She was the only lady friend in a family of seven. Cisneros is noted for her collection of poems and books that concentrate on the Chicano acquire in the United States. In her writings, Cisneros explores and transcends borders of location, ethnicity, gender and language. Cisneros writes in lyrical b bely deceptively simple language. She makes the invisible visible by centering on the lives of Chicanos--their relationships with their families, their religion, their art, and their politics. Anzia Yezierska has written two short story collections and four novels about the struggles of Judaic immigrants on New Yorks Lower East Side. Yezierska stories explore the theater of characters struggling with the disillusioning America of poverty and exploitation while they assay for the real America of their ideals. She presents the struggles of women against family, religi ous injunctions, and social-economic obstacles in order to create for herself an autonomous style. Her stories all incorporate autobiographical components. She was not a master of style, plot of land development or characterization, but the intensity of feeling and aspiration ar evident in her narratives that overrides her imperfections. Sandra Cisneros The House on Mango Street, written in 1984, and Anzia Yezierskas Bread Givers, published in 1925, are both aimed at adolescent and adult audiences that deal with deep disturbing themes about monstrous social conditions and their effects on children as adults. Both books are told in the first person both narrators are young girls living in destitute neighborhoods and both young girls witness the harsh realities of life for those who are poor, abused, and hopeless. Although the narrators face these overwhelming obstacles, they manage to survive their tough environments with their wits and authority remaining intact. Esperanza, a Chicano with three sisters and one brother, has had a dream of having her avouch things since she was ten years old. She lived in a one story unwavering that Esperanza thought was finally a real house. Esperanzas family was poor. Her baffle barely made enough money to make ends meet. Her mother, a homemaker, had no formal education because she had lacked the courage to rise above the shame of her poverty, and her miss was to quit school. Esperanza felt that she had the desire and courage to invent what she would become.