Language: The Fatal Weapon in Othello Essay

quarrel is specially tricky because of all the possibilities it can manage. Be quiet versus Shut up is one sample of the power that spoken row holds. Rumors are a nonher example of how powerful language can be when it passes by dint of a indis entrustable set of ear lobes some people are shattered by the rumors floating around about them. Othello is a play that takes the intricacies of languagethe fashion something is said versus what is actually being saidto show the dire consequences put into effect when someone hears something a certain way.The following three passages volition examine how language hides and reveals something about Othello, Iago and Desdemona, and how it is ultimately the downfall of the characters. Jealous Iago uses language like a cunning fox, hiding behind his rowing to learn to his prey. Othello in turn is easily deceived, himself jealous and paranoid because of the viral words strategically planted throughout. In the third scene of the third act, I agos use of language makes him actually visible to the audienceby this backsheesh the audience is well alert that Iago is jealous of Othello, but eager however to hide this fact from Othello.But it is this scene that most reveals Iago to the world, when Iago may non be at all visible to himself. Saying of jealousy, It is the green-eyed goliath which doth mock/The meat it feeds on (166-167). Iago may be jealous of Othello by this point in the play, but he seems either unaware of it or in denial of it. To speak of jealousy in this way instantly to Othellothe object of his envyis to suggest that Iago may not be richly conscious of his own jealousy.Perhaps if Iago were to realize what he was saying, he superpower have changed course and decided against pointing a finger at Cassio. further clearly he goes on, That cuckold lives in bliss/Who, certain of his fate, loves not his wronger (166-168). Iago could very well be describing himself here, ignorant of his own jealousy towar d Othello, whom he obviously does not truly love. He is hiding not plainly from Othello but from himself as well, but psychologically he is rather unmixed to the audience, for which Othello will unknowingly kill.Desdemonas language reveals her purity even when go about with accusations, even when she is unsure of what exactly she is being accused. When Othello tells her she must(prenominal) die by his hand, when her sins are her love for him, and before he tells her why he must kill her, she says, These are portents but yet I hope, I hope,/They do not point on me (45-46). She knows he is accusing her of something, but in her saturated love for Othello she dares to hope that he is not charging her.Here she is hiding from herself, knowing full well that, Some bloody passion shakes your very frame (44) means that Othello is indeed pointing on her for some crime. Desdemonas purity, revealed through her speech, further enrages Othello, for in his jealousy he sees her shock and fear as further proof that he must kill her for dishonoring him and their marriage. The audience, however, is fully aware of Desdemonas purity and honesty honesty in the marital sensory faculty to Othello, even if she is not honest with herself at this crucial time.This self-deception reveals how pure her love is by showing how she does become self-righteous or ardent to anger and resentment. In the face of an unjustified accusation and obvious mistrust, Desdemona stands her background in her love, taking her punishment though protesting it, That deaths unnatural that kills for loving (42). Yet she dies for loving. Othello shows through his speech how utterly ignorant and device he has been throughout the play, O vain boast /Who can concord his fate? tis not so now (264-265).Here he is resigned to his fate, to dropping to his weaknesses despite his obvious strengths, Here is my journeys end (267). For cleanup Desdemona he feels incredible guilt, and does not wish to go on. This re veals Othellos regret, and in turn reveals his acknowledgement of wrongdoing and sorrow at his actions. Othello could very well have stuck to Iagos story without implicating himself, but through his jealousy he was able to see that Emilia was telling the truth, and for that he is truly sorry.Language is the fatal weapon in Othello. Jealous Iago uses it to verbally plant seeds of interrogation and jealousy into Othellos mind. Desdemona in turn can say zilch to save herself from Othellos jealous rage. Othello himself ultimately realizes he was duped by it into sidesplitting the woman he loved and who loved him in return. The subtle complexities of language can turn a normally level headed person into a foaming, jealous beast who mistrusts his gut, and Othello was no exception.